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Full-stack / games / narrative archives
I turn messy creative work into products people can actually use.
I work across software, game production, story systems, creator media and analytics. My job is to bring order without killing the work: define the product, ship the surface, and make the result easy to judge.
Game productionNarrative systemsMedia reachAnalytics discipline
01Broken Bondsgame production
02Reaper WRLDnarrative systems
03Vicious Schoolcoaching product
04Mediaretention / packaging
Product portfolio / game systems / media operations
Founder taste. Producer discipline. Technical follow-through.
Positioning
A hybrid profile for creative products that need structure.
I sit between product, engineering, game design, writing, media and analytics. That mix is the point. I take scattered ideas, teams and assets, then turn them into something structured enough to ship and sharp enough to defend. I am useful when the work is too technical for pure creative direction and too story-heavy for a standard engineering handoff.
Selected projects
Real work across games, web platforms and media.
Each case shows the part I owned, the constraints, the shipped surface and the proof worth judging.
In Development
Broken Bonds
Detective-political visual novel built with a 15-person creative team, Steam positioning, public web presence and a heavy story-production load.
1100+Steam wishlists
GodotRen'PyNarrative DesignGame Design
Operating timeline
From analytics discipline to game and product work.
A short map of the path: finance and reporting habits, media packaging, game production, narrative databases, coaching-platform logic and current full-stack/product direction.
Numbers first, taste later
SAP, Power BI, Excel and financial-control work gave me a useful bias: define the constraint, track the signal, make the decision visible.
Attention as a system
Anime and games content taught me scripting, pacing, CTR, retention, editing loops and the ugly truth: packaging changes the work people actually see.
Founder, writer, game designer, producer
Detective-political visual novel with a 15-person creative pipeline, Steam traction, public demo/download momentum, original art, music and story production.
Lore turned into an interface
A large story universe rebuilt as character dossiers, faction logic, relationship maps and an archive people can navigate without a guide.
A coaching business with product logic
Dota 2 coaching platform with coach profiles, booking flow, creator attribution and planned Steam/Telegram/Discord/YouTube/TikTok integrations.
Full-stack / product / game-dev roles
I am looking for teams that need someone who can connect code, creative production and measurable output without hiding behind job-title borders.
Working range
Creative judgment with technical ownership.
These are the tools and habits I use to move work from idea to production to public release.
Product
- Roadmaps
- Feature scoping
- Hiring
- Launch planning
- Operator logic
Engineering
- Next.js
- React
- TypeScript
- API integrations
- Content systems
Games
- Game design
- Narrative systems
- Visual novels
- Character databases
- Progression logic
Media
- YouTube strategy
- Scriptwriting
- Retention analysis
- Short-form distribution
- Creator funnels
Analytics
- Power BI
- Excel
- SAP
- Financial control
- Data-driven decisions
Media engine
Audience work is product work.
Scripts, pacing, retention, packaging and distribution are not separate tricks. They are the loop: understand attention, shape the package, improve the next release.
18M+ views across anime and games content.
Long-form essays, short-form distribution, scripting, editing, voice-over and performance analysis.
YouTubeRetentionCTRScripts
Contact
For teams that need range with taste.
I am open to full-stack/product roles, game-dev production and creative technical work where software, story, media and measurable output have to meet in one place.
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